Title and statement of responsibility area
Kenneth Peacock fonds
General material designation
- Sound recording
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- Source of title proper: Title based on name of collector and contents of fonds.
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Issuing jurisdiction and denomination (philatelic)
Dates of creation area
[1951-1952; 1958-1961] (Creation)
- Peacock, Kenneth
Physical description area
144 audio cassettes
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Archival description area
Name of creator
Kenneth Peacock (1922-2000) was born in Toronto and educated for a music career. By age 15 he had become an associate of the Royal Conservatory of Music and in 1941 he enrolled at the University of Toronto's School of Music, completing a B.A. in 1943. He studied English and Philosophy and musical composition from 1944-1950 and embarked on a career as a composer-performer. In 1949, Peacock accepted the invitation of a former School of Music classmate, Margaret Sargent (McTaggart) to come to the National Museum of Canada (now the Canadian Museum of Civilization) where she worked, to hear the recordings of native music made in 1916 by folklorist Marius Barbeau. Peacock became fascinated with the music and created a series of compositions based on Barbeau's recordings.
In 1951 Peacock went to work for the Museum and took over its Newfoundland folksong research project started by Sargent the year before. In 1953, the Museum offered him a position as their musicologist, to transcribe the music from their previous collections and to undertake further collecting on their behalf. He left the Museum in 1954 and began to use some of his research in CBC radio broadcasts, folksong publications and commercial recordings in collaboration with Alan Mills and other Canadian folksong professionals. In 1962, Peacock returned to the Museum of Canada to undertake its first ethnic music survey.
By 1971, when he retired, the newly established Canadian Centre for Folk Culture Studies had amassed an impressive collection of Canadian folk music from almost 50 ethnic groups. Throughout the course of his career, he worked with Tom Kines, Edith Fowke, Helen Creighton, who hired him to transcribe most of her Nova Scotia collection, and Robert Klymasz whose major works on Ukrainian folksongs Peacock transcribed. In 1984 he was awarded the Order of Canada in recognition of his life's work in documenting this country's folk music.
Scope and content
Fonds consists of audio cassette copies of field recordings done in Newfoundland and Labrador by Peacock in the summer months of 1951 and 1952 and at various times during the years 1958-1961, along with copies of Peacock's tape indexes. Much of this material was published in 1965 as Songs of the Newfoundland Outports, a 3-volume selection of songs he culled from his collecting efforts in Newfoundland. This publication has served to acquaint numerous composers, folksingers and members of the general public with the traditional music heritage of Newfoundland.
Fonds is arranged into two series: 1. Songs E (87-157) comprises ca. 150 audiocassettes of songs in English; 2. Songs and tunes (99-139) comprises 18 audiocassettes of instrumental music and songs in Gaelic and French.
Immediate source of acquisition
Language of material
Script of material
Language and script note
Some material in Gaelic.
Location of originals
Peacock's original recordings are housed in the Centre for Folk Culture Studies at the Canadian Museum of Civilization.
Availability of other formats
Restrictions on access
No restrictions on access.
Terms governing use, reproduction, and publication
Audio cassette indexes are available.
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Dates of creation, revision and deletion
Created - May 3, 2013
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